Jenny Hunt grew up in Hawera, Taranaki, in the 1940s and '50s, with four siblings and parents from widely different social milieus. Her mother's family moved in the upper echelons of Auckland society until they lost their fortune in the Great Depression, while her working-class father was a direct descendant of a Chickasaw Native American sentenced to penal time in Australia. In the tension-filled house in rural New Zealand, prey to the advances of adult men and oppressed by the conservative Presbyterian church of her upbringing, Jenny fought to make sense of her surroundings and follow her passion for art. Venus Has No Arms, God Has No Clothes is a moving and detailed portrait of the childhood of a prolific New Zealand artist, evoking the conservatism of the era she grew up in and the obstacles she had to battle to realise her vocation.